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Grateful Dead Live at Various on 1977-00-00




"Tuning '77" - a seamless audio supercut of an entire year of the Grateful Dead tuning their instruments, live on stage. Chronologically sequenced, this remix incorporates every publicly available recording from 1977, examining the divide between audience expectation and performance anxiety.


Collection GratefulDead
Band/Artist Grateful Dead
Date 1977
Venue Various
Location Various

Transferred by Michael David Murphy


Reviews

Reviewer: rdevil - - November 16, 2014
Subject: Outstanding
Great work. Maybe you could produce your own "plunderphonics" release in the Grayfolded vein.
;)
Reviewer: John L. White - - September 5, 2013
Subject: Very nice, but right venue?
Michael,
This is really very cool. Kudos for creativity!

I am a bit reluctant, however, that this may not be the right medium for this work since it's conceptually a compilation which doesn't really fit into the theme of this Grateful Dead subsection of the archive. I'm sure there may be a more appropriate venue elsewhere.

Best of luck in all future work.
Reviewer: njpg - - August 28, 2013
Subject: -
The coolness of this concept alone is worth 5 stars. There is a certain aesthetic that what's in the cracks in the art is even more important than the art itself. The spaces between actually have an energy all their own, separate from that in which they are between.

Now, will I ever find the time to listen to it? Different question...
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Source: Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
Grateful Dead
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433
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Source: Source: 2 Sonic Studio DSM-1S/x microphones (up front & center) > Sony TC-D5M - analog master cassettes
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Source: lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
Grateful Dead
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180
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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999
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Source: Unknown Mics -> Master Cassette (Nakamichi 350)
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1,648
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Source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard".
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Source: Nak 300's > D6
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Source: Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS)
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405
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Source: source: (2)audio technica atm 11/(2) beyers 160> mixer> tcd-d5>mc; conversion: sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit